1978 - 1988

I was

Audio Technician for the City of Scottsdale at the Scottsdale Center for the Arts.

Inside this building is a 700-800 seat theatre with a steep rake and interesting acoustics. There are large hard torms house left and house right with large walls following them. The ceiling above the theatre is "infinite"; mostly absorbative. With a RT time around 2 seconds, this hall is used for many solo, ensamble and symphony performances.

Don't know why, but I'd like to digress to something silly, different and interesting - for some reason, this picture reminds of the "Assisted Resonance" electronic acoustic enhancement system installed in the theatre. At a cost of almost $100,000 in 1975, this British "invention" manufactured by A.I.R.O. (Acoustic Investigation Research Organization) consists of 72 channels each of :

This system works exclusively below 1000 Hz and goes down to around 60 Hz. The budget was trimmed, when it was installed and the first octave was left out. I believe its intented use is to boost the low-frequency reverberation time response of the room from approx 1.6~2.3 seconds to 2.6~3.2 seconds. This is done by combining the input and output of all 72 channels in-polarity and harmoniously.

Although a beautiful architechtural statement by Bennie Gonzales, there are acoustic flaws in the theatre which could be improved upon greatly. Last time I checked, the AR system was not being used, and in disrepair; a relic from days gone by.

Oh well, those were the days.

The room also has a Bozak quad speaker system with each of the four channels having its own subwoofer; at the time, we had a 28 channel "Tangent" console, with a custom output module of 8 bussed quad pan-pots!

Sniff....